True Romance: Love Stories Hidden on Rock B-Sides February sells us love in neat little packages. Three minutes long. Chorus on cue. Happy endings guaranteed. But real romance? Real love? That stuff rarely makes the A-side. It lives in the margins. In hotel rooms at 3am. In lyrics never meant for radio. On the flip side of vinyl—where artists stopped chasing hits and started telling the truth. These are not polished love songs. These are confessions. Some are tender. Some are devastating. Some sit right on the fault line between devotion and obsession. All of them were written about real people, real relationships, and real emotional wreckage. Welcome to True Romance. Love Written While the World Was Pulling Them Apart Black Sabbath – Solitude Ozzy Osbourne rarely sounded this vulnerable. Stripped of doom riffs, Solitude is fragile and inward—loneliness wrapped in affection that was never returned the same way. This is love turning inward, echoing in empty rooms. Desire without r...
GIRLS, GROOVE, AND GLITTER Women, Rhythm, and Power on Rock’s B-Sides This Is Not About Influence. This is not about who women inspired. This is not about who stood beside them. This is about women alone, in full control of the groove. On the B-side — where expectations drop and instincts take over — women in rock didn’t compete for volume. They set the rhythm, owned the mood, and defined style on their own terms. These are songs that move, shimmer, sway, and sting. Girls only. B-sides only. No permission asked. 1. Groove as Authority Pretenders – “Cuban Slide” Loose, funky, effortless. Chrissie Hynde doesn’t perform — she inhabits. This is groove as confidence. No chorus trying to hook you. No drama. Just a woman who knows exactly where the beat belongs. Power here is relaxed — and that’s the point. 2. Glitter With Teeth Blondie – “Rifle Range” Debbie Harry always understood that style could disarm and attack at the same time. “Rifle Range” is sharp, urban, and cool — fashion-fo...