Skip to main content

Only the Obsessed Survive: November B-Side Quiz Answers

 



ANSWERS — TRACK TITLES ONLY

Playlist Answers 


1. Let It Rock (Live)

2. Silver and Gold (Live)

3. Aneurysm (Live)

4. We Will Rock You (Live Killers Version)

5. White Light/White Heat (Live)


6. Communication Breakdown (Live in Paris, 1969)

7. Heaven and Hell (Live at Leeds)

8. Everlong (Acoustic Live)

9. Yellow Ledbetter

10. Maybe (Live at Woodstock)


11. Reeling

12. Who Scared You

13. Drown Soda

14. Ask the Angels

15. The Moon Is in the Gutter


16. Purple People

17. When the Tigers Broke Free

18. The Metro

19. Clear the Lane

20. Close Your Eyes (And Count to Fk)**


21. 17 Days

22. Casa Dega

23. Oh Woe Is Me

24. Skewiff (Mend the Fuse)

25. Something Else


SCORE RANKING CHART

Score Rank Your Status on the B-Side Circuit


0–5 Static Listener

You heard the noise, but not the notes. Try again… and scroll slower.

6–10 Underground Tourist

You’ve been on the journey — but you missed the alleyways.

11–17 Deep Diver

You paid attention. You know the shadows. Respect.

18–22 Archive Hunter

You remember the posts better than the algorithm does.

23–25 The Obsessive

You don’t read the B-side blog. You live it.


Comments

Post a Comment

Popular posts from this blog

AC/DC: From Bon Scott to Brian Johnson

  The Evolution of a Rock Powerhouse Introduction AC/DC is synonymous with raw energy, electrifying riffs, and a no-nonsense approach to rock ‘n’ roll. But beneath their loud and rebellious exterior lies an evolution that saw the band transition from bluesy hard rock to stadium-filling anthems. With Bon Scott at the helm, AC/DC crafted a raw, streetwise sound that resonated with the working class. When Brian Johnson took over, they expanded their sound, blending their hard-hitting style with unforgettable melodies. This transformation didn't just make them bigger—it made them timeless. The Bon Scott Era (1974–1980): The Grit & Swagger of Early AC/DC Bon Scott wasn’t just a frontman; he was a storyteller. His raspy vocals and charismatic stage presence made AC/DC feel rebellious yet relatable. This era was defined by bluesy riffs, gritty lyrics, and a raw, almost punk-like energy. B-Side Gems from the Bon Scott Era "Carry Me Home" (1977, B-side of "Dog Eat Dog...
Post a Comment
Read more

The Forgotten Gems Of Rock Opera

  Beyond Tommy and Queen: The Forgotten Gems of Rock Opera When we hear the term rock opera, the mind rushes to The Who’s Tommy or Queen’s Bohemian Rhapsody. These iconic works set the bar for theatrical storytelling in rock, blending narrative arcs with sonic drama. But the history of rock opera is far more sprawling — and littered with hidden gems, misunderstood masterpieces, and B-side anthems that echo with raw storytelling power. Today, we dive into the lesser-known world of rock operas that dared to go big — and sometimes got lost in the noise. What Is a Rock Opera, Really? Rock operas are more than just concept albums. They're musical stories with characters, plots, and themes that unfold across an album — or even several. Unlike a concept album, which might explore a theme, a rock opera tells a story. Born in the late '60s and nurtured through the '70s and beyond, the genre blended the rebellious energy of rock with the theatrical weight of opera. But while Tommy an...
Post a Comment
Read more

Wired For Revolution

  Wired for Revolution: How Rock’s B-Sides Demanded the Evolution of Sound “On the B-side, rock didn’t just play louder — it invented the tools to make louder possible.” There’s something about the B-side — that rougher, less-polished space where bands got weird, raw, and brutally honest. Free from the pressure of commercial hits, they stretched out, turned knobs too far, and often broke the rules... and sometimes the equipment. But here’s the twist: rock didn’t just shape culture — it reshaped the very tools used to make it. Especially through B-sides, where freedom led to experimentation, and experimentation led to evolution. Let’s plug in. The Guitar Couldn’t Take It When rock got louder, dirtier, and fuzzier, traditional guitars and amps just couldn’t cope. B-sides became a playground where sonic rebellion reigned. Take the Rolling Stones’ eerie B-side “Child of the Moon” — swirling psych-rock wrapped in distortion and reverb. That ghostly tone? It pushed engineers to experimen...
Post a Comment
Read more