Hidden Frequencies – 5 Obscure European B-sides Worth Your Ears
In the shadows of Europe's rock and post-punk scenes lie the kinds of B-side tracks that whisper, howl, and sometimes scream brilliance—yet somehow evaded the spotlight. This week, we’re diving deep into lesser-known corners of the continent to uncover five under-the-radar gems. These are the tracks you won’t find in most retrospectives—but they deserve a spot on your playlist.
The Sound – “Missiles” (B-side to “Heyday”) – UK
The Sound, fronted by Adrian Borland, was a post-punk band from South London active in the late '70s and '80s. They never quite broke into the mainstream but developed a cult following.
“Missiles” is dark, poetic, and politically charged—typical of Borland’s aching lyricism. Originally tucked behind “Heyday,” this track is a haunting commentary on Cold War anxiety that still echoes today.
Téléphone – “Le Silence” (B-side to “La Bombe Humaine”) – France
Often dubbed France’s answer to The Rolling Stones, Téléphone fused punk, classic rock, and French poetry into their electric performances and songwriting.
“Le Silence” is a moody, nearly whispered piece with sparse instrumentation. It’s cinematic and brooding, giving insight into the emotional side of this usually energetic band.
Sielun Veljet – “On mulla unelma” (B-side to “Totuus Palaa”) – Finland
Translating to “Soul Brothers,” this Finnish alternative rock outfit was known for intense live shows and deeply layered lyrics. They’re still revered in Nordic underground circles.
About the track: “On mulla unelma” (translated: “I Have a Dream”) is one of those rare B-sides that’s both chaotic and meditative. Psychedelic guitars blur with punk rhythms, creating a hypnotic swirl of sound.
Os Mutantes – “Cidadão da Terra” (B-side to a rare European 45 release) – Brazil (but lived/recorded in Europe in their later years)
Though originally from Brazil, Os Mutantes spent their later years recording in France and Italy, blending tropicalia with European prog and psychedelia.
This track—available only on a scarce European 45—feels like an alien lullaby. Trippy synths and abstract lyrics invite the listener into a dreamy haze of intercontinental rock fusion.
Grauzone – “Eisbär (Instrumental B-side Mix)” – Switzerland
Grauzone was a short-lived but legendary Swiss post-punk band best known for “Eisbär.” They released just one album in the early '80s but influenced European synth and darkwave scenes.
The instrumental B-side version of “Eisbär” strips away the vocals, revealing a frosty, glacial beauty in its minimalist coldwave loops. It’s hypnotic, weirdly serene, and perfectly obscure.
Rock Without Borders
These five B-sides prove that Europe has produced some of the most boundary-pushing rock bands in history. Whether it’s industrial metal, occult rock, punk chaos, or progressive mastery, these songs remind us that rock’s evolution has no borders—only great music waiting to be discovered.
Do you have a favorite European band or song? Drop it in the comments and let's talk rock! Follow me on social media for regular updates and sneak peeks. Stay tuned for more rock's untold stories and hidden gems. Rock on 🤘
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